Showing posts with label night photography. Show all posts
Showing posts with label night photography. Show all posts

Tuesday, November 13, 2018

Snowy October Night Photography in Bodie


I've shot in Bodie at night nearly 40 times. The Bodie workshop season typically runs late May through mid-October when any storms tend to be convention-driven from daytime heat. So even on stormy days, the sky usually clears up at night. This time, in early October, a light storm not driven by daytime heat moved through, at first driving broken clouds to move through our shots of the Milky Way, then thickening to create trails of uneven clouds back-lit by green airglow.
Break in the Storm 
The Milky Way was mostly out for the first hour, then coming and going with streaks of clouds for about an hour, then then the clouds were translucent with intermittent snow showers. The snow never stuck to the ground much, but it was cool to have streaking through our shots. Fortunately everyone else was really into it too It was chilly with the wind blowing, but every shot was different, so we worked fast, and right through the end, when we could barely get out on time!
Snow Flurries in Bodie at Night
Moving Clouds Over 1937 Chevy
Stormy Night at the Lottie Johl House
Snow Falling Over the Standard Mill
Moving Clouds and Airglow
Main Street Bodie on a Stormy Night
Red Atmospheric GlowOne participant decided to leave in case the snow showers became more intense. His red brake lights were reflecting off of the low clouds above.

Friday, February 16, 2018

Analysis of a Lunar Eclipse Shoot

I'll be presenting in Woodland, California next Tuesday, February 20 at 7 pm in case you might like to attend. The Woodland Camera Forum meets in Norton Hall, 70 Cottonwood Street, Woodland, California: www.davisenterprise.com/arts/jeff-sullivan-presents-work-at-photography-group/

The formatting of this post got all messed up when i tried to transfer it form my original Wordpress blog post on my Web site here: http://www.jeffsullivanphotography.com/blog/2018/02/08/lunar-eclipse-photography-january-31/
I'll fix it as time permits, which might not be a while, so best if you read it over there for now!

Lunar Eclipse Teed Up Do You Have Plans to Shoot The Blue Moon This Month?

For the January 31, 2018 lunar eclipse, my planning started weeks in advance, looking at the timing of the eclipse, the direction of the moon, and at prior shots like the moon set above from 2010 that seemed like a good concept to re-shoot with a moon in some phase of eclipse.  I decided to try to place the moon on top of the South Tower of the bridge, worked out the geometry to estimate the moon's elevation, looked in an app to determine its compass direction at that time, and where I should stand.

 So after you decide to shoot an early morning lunar eclipse, what's the next logical thing to do? Pick a spot for the prior sunset of course. Marin County's Rodeo Beach fit the bill nicely for a relaxing sunset.

Pacific Sunset  A trip to Japan Center for sushi later, and it's too early for sleep, so a little night photography along the San Francisco waterfront helps put a few more travel images on the card and burn off a few dinner calories.
Bay Bridge at Night 

Wake up at 3am, and go get a nice moon shot from the Crissy Field area: Total Lunar Eclipse January 31, 2018

This image was exposed for 15 seconds at f/8, ISO 200 on a Canon EOS 70D with a lens at 381mm using a Canon 70-200mm f/4 IS L Series lens plus EF 2X III teleconverter. After the APS-C crop factor, the equivalent focal length was 610mm! The camera setup was on an iOptron SkyTracker, so the longest exposures in the sequences I was shooting could easily be 15 to 20 seconds at ISO 200. What next? You've chosen the spot anticipating the moon approaching the Golden Gate Bridge, so when it's close enough you can include the bridge in compositions:

  Lunar Eclipse Over the Golden Gate Bridge

 But the real alignment you've calculated from the height of the bridge, the distance to the bridge, and the compass direction is the moon passing the top of the South Tower of the Golden Gate Bridge. But you forgot to subtract out the elevation of your shooting position from the height of the bridge, so the moon is about 1/2 moon width, about 0.25 degrees, too high. So you move about a dozen feet to your left, compose over the shoulders of a couple of photographers, and get the composition that you envisioned weeks earlier:

The recent weather and the forecast called for partly cloudy conditions, and at times there was definitely a thin haze that the moon was shining through, but there was also a challenge that I don't usually have to deal with back home in the high desert: condensation!  For a while I had to wipe my lens every few shots to remove it.  Astrophotographers sometimes use heaters on their telescopes, photographers shooting on a dewy morning can improvise using gaffer's tape and hand warmers. That's not the end of the fun, as sunset light paints the sky while the moon dropped into the bridge.  Fortunately the atmospheric haze also cleared up significantly.

California astrophotography

Sunrise approaches as the partially-eclipsed moon sets behind the Golden Gate Bridge.[/caption] As it descends further, while shooting the lunar eclipse through San Francisco's Golden Gate Bridge, for a matter of seconds I decided to try to silhouette a vehicle against the setting, partially-eclipsed moon. A large delivery truck fit the bill nicely. I was shooting at 400mm, so I had to anticipate the movement of the vehicle enough ahead of time to leave mirror lock-up on!
Early Morning Delivery 
Note the rough edge to the moon. At this high degree of telephoto, on the moon in the lower couple of degrees of elevation when our view of it is through a lot of turbulent air, the view of the moon is visibly distorted. No doubt there will be many faked shots from this eclipse as usual, and a recent article on FStoppers discusses some of the ways you can spot them. So to summarize, anticipating an interesting place to capture the mono alongside earth-bound features using apps like PhotoPills and The Photographer's Ephemeris (TPE) enables the capture of many compositions beyond "Just another lunar eclipse shot"... not that there's anything wrong with that! So once the eclipse is "in the can" (like a reel of exposed movie film), what next? Think of something to shoot while you're in the are, or on your way home! A quick detour to the California Coast, the Mendocino area in this case, fit the bill nicely. After the Eclipse Astronomical events aren't just opportunities for astrophotography, they are a great excuse to get out. travel, and shoot!  The weather can be surprisingly warm along the California Coast in the winter given the heat sink effect of the water and the lower winds compared to summer.  Temperatures in the high 50s by noon and walking down Main Street Mendocino, I had to take off and carry my jacket as I became too hot to wear it. Post-Eclipse Sunset

Sunday, February 28, 2016

Bodie Night Photography Workshops 2016

It's time to kick off another year of night photography workshops in Bodie!  My June 27 workshop in Bodie is full.  The remaining  Bodie workshop dates are filling fast :

Saturday June 4 – night photography workshop: Milky Way, star trails, light painting, 6 pm - 1 am
Sunday June 5 - morning / interior access

June 27 - *FULL*

Friday, July 29 - night photography workshop: Milky Way, star trails, light painting, 6 pm - 1 am
(the night before the Saturday, July 30 Ghost Stories night).

Sunday August 28 – night photography workshop: Milky Way, star trails, light painting, 6 pm - 1 am (the night after after the Saturday, August 27 Ghost Stories night).

Saturday October 1 – morning / interior access
Saturday October 1 – night photography workshop: Milky Way, star trails, light painting, 6 pm - 1 am

We have four nights and two interior access sessions with space remaining.  Two of our Bodie nights are timed to be the night before or after a Bodie "Ghost Stories" night, when the park lets anyone stay until 10 pm with regular park admission.  That doesn't give visitors much more than sunset and twilight in the long days of summer, but it's still after-hours access, a perfect practice session before our August 28 workshop or following our July 29 workshop.The sun and stars move south to north over the course of the summer, and the Milky Way rises earlier and moves southeast to southwest from month to month.  This changes the compositions available. I've shot in Bodie at night multiple times in each month in recent years, so I have a lot of experience and composition knowledge to draw from in order to help you move efficiently around the park from shot to shot.

A discussion of the characteristics of the various dates appears on the Bodie workshop page on my new blog: http://www.jeffsullivanphotography.com/blog/bodie-night-photography-workshops/
Registration is there too: the workshops currently open for enrollment have the payment/registration linked to the price net to the description.

I'll place some examples below.  For a lot more, see nearly 400 of my Bodie photos in this album: https://www.flickr.com/photos/jeffreysullivan/albums/72157630926160354


Bodie at Night



Starry Night over Bodie Church


Going Nowhere Fast

1927 Dodge Graham at Sunset

Hope you can join us!

www.JeffSullivanPhotography.com

Saturday, January 09, 2016

Top 10 Travel Photos: 2014

Milky Way rising behind the Standard Mill in Bodie, California
Continuing the retrospective look at my last decade of travel and landscape photography, 2006 - 2015, here are some of my favorites from 2014.

Sierra Crest Sunset Layers
The Minarets and Sierra Nevada at sunset
Snowy Day at Mono Lake
Mono Lake tufa rock formations selectively lit by the sun
Bodie Sunset Re-edit with HDR
Sunset in Bodie State Historic Park, California
SUCCESS!
NASA's Orion EFT-1 launch at Kennedy Space Center, Florida
Sunrise Yesterday Morning
There's no place like home.  A rock sheep enclosure at sunrise, Topaz Lake (on the California/Nevada border).
Revisting an Old Friend
One of the Death Valley slot canyons disclosed in my "Photographing California - South" guidebook
Partially Eclipsed Moon Setting, October 8, 2014
Moon setting over the Sierra Nevada, while emerging from the earth's shadow during a lunar eclipse!
Wild Mustangs
Wild mustangs in the Eastern Sierra

Bristlecone Pine
Playing with depth of field in the Ancient Bristlecone Pine Forest (iPhone 5S)

This was a selection of a few of my favorites from an album of over 45 photos from 2013, so there are many more that you might prefer over these. To see more of them, click on the link or album photo below.

More of my favorite photos from 2014:
https://www.flickr.com/photos/jeffreysullivan/albums/72157650285822751

2014 Favorites

Saturday, January 02, 2016

Top 10 Favorite Travel and Landscape Photos from 2015

Bandon Sunset Reflection, Oregon Coast
Ansel Adams once stated that "Twelve significant photographs in any one year is a good crop."  Perhaps Ansel would be more efficient and productive today with digital photography, or perhaps he simply had a really high bar for what he considered "significant".  


I often produce a few dozen photos per year that I'm pleased with and collect into albums on Flickr, so reducing them down further, to something like an annual "Top 10", doesn't always reach the top of my "to do" list. But as the "Photographing California" book that I finished and released in 2015 starts to go into retail auto-pilot, I can take a moment to reflect on my past year of photographic adventures as I look towards 2016. 


Great Light in Eroded Hills, Eastern Nevada
The photo above was captured early on in my 3500-mile "victory lap" road trip that I embarked on in September, as my book was about to ship to wholesalers and Amazon.com. I visited Mt. Shasta, Lassen Volcanic National Park, and Crater Lake National Park before turning west and heading for the coast. I arrived just in time for sunset. 

In March I took a quick trip across Nevada to scout for locations for possible Nevada photography workshops in 2016. I've been doing this for a few years now, but it takes a lot of experience to get to know a region, in detail, in a variety of season s and weather conditions. The photo to the right shows one of the sites that I really enjoyed for its geology and geometry.  Other sites in Nevada are good for wildflowers, dark, clear night skies, history (petroglyphs, mining areas and abandoned ranches), or cultural details. The state is huge though, and supporting resources such as gas, restaurants and lodging are spread out, so it'll pose some interesting challenges to cover efficiently and comfortably with a group. Access can also be complicated by weather and washouts on the often unpaved roads, so vehicles with appropriate all terrain tires and adequate ground clearance can also be a consideration.


A year wouldn't be complete for me without astrophotography, so in late April I headed out to the Mojave Desert in search of some photos of the Milky Way rising. In the case of the image below, I captured a sequence of 54 photos around 2 am to show the movement of the stars.


Milky Way Rising Behind Joshua Trees.
Milky Way Rising Behind Joshua Trees, Mojave Desert
In June I still had the Milky Way on my mind, as I dropped by Mono Lake to capture a 360-degree panorama featuring the lake's tufa calcium carbonate rock formations under the arch of the Milky Way.

Mono-Lake-360-degree--panorama-tufa-Milky-Way-night-photography-jeff-sullivan
Mono Lake Milky Way Arch Panorama
By July we had a nice summer monsoon season of sporadic storms, not enough to end our drought in the Eastern Sierra, but storms are certainly a plus for landscape photography! In this case a shaft of golden hour sunlight struck a column of rain, producing a warm-tinted sunset rainbow.

Shaft of Water and Light
Shaft of Water and Light, Topaz Lake
Although there are so many stunning photography locations to cover in California I only included a handful of backpacking destinations in my book, I personally love backpacking, so I took the opportunity to visit the Golden Trout Wilderness in July. Little did I know that the remains of Hurricane Dolores would come ashore that night, creating "super historic" record July rainfall across much of Southern California. Fortunately there was a break in the rain on the following day, so I could head to the trailhead to dry out my gear before selecting my next adventure.

Muir Lake Morning Reflection
Muir Lake Morning Reflection, Golden Trout Wilderness
In August the big event for me is usually the Perseid meteor shower. Sometimes I like to maximize sky in my meteor shower photos, but in this case I decided to include an interesting Joshua tree. So back to the Mojave Desert I went.

Perseid Meteor Shower 2015
Perseid Meteor Shower and Milky Way over Joshua Tree, Mojave Desert
Another location that I visited during my whirlwind September road trip was Morraine Lake in Alberta's Banff National Park. I was fortunate to arrive right after the first snowfall of the year, and it was still snowing lightly as the last light of the day faded, so there weren't many people out in the cold to wander into this shot along the shoreline. I also picked up the more typical elevated view from a nearby knoll, showing the glacial blue color of the lake, on the following morning.

Morraine Lake, Jasper National Park
Morraine Lake, Banff National Park, Alberta, Canada
I captured a number of nice Bodie and Eastern Sierra fall colors images this year, but one of my favorites was this late, snowy fall colors shot from Conway Summit in early November. Many of the compositions I was capturing on this morning were a little too evenly lit, but for a moment a thin spot in the cloud cover had the lower portion of this line of trees brightly lit while the trees and hill in the ravine in the background fell into darker shadow. This highlighted the lower line of trees and gave the whole scene a more 3D feel to it.

Snowy Fall Aspen
Snowy Fall Aspen, Early November in Mono County
Later in November I headed to Death Valley to pursue some new locations for an upcoming detailed guide to the park that I'm writing, but one of my favorite images ended up being from the Mesquite Flat Dunes near Stovepipe Wells. I had other photos with arguably better light, but the photographers add scale and a nice point of interest. I've photographed these dunes a lot, but the combination of low angle sun and broken light passing through breaks in the clouds created some unique opportunities.


Stunning Light on the Dunes in Death Valley
Exploring the Dunes in Death Valley, Mesquite Flat Sand Dunes
New 2015 Results from Past Years

Valley View Calm Evening Reflection, Aug 2007
As I was working on the book I occasionally came across good photos from past years... when either I lacked the tools to complete a nice result, or I simply overlooked an image due to time constraints or simple oversight. Fortunately I can rediscover and rescue these old files on future visits to the folders that they're in. The one to the right was from Yosemite, way back in August 2007. It was captured on a Canon Digital Rebel XTi! A little adjustment in Lightroom 5, and voila! It's as good as new. I used it as the title page for my guidebook.

One of my more stunning finds was from an incredible sunset in Bodie during one of my workshops on June 29, 2013. Bodie was just outside of the area I was covering with my book, so post-processing photos from there hadn't been a priority. My loss then, and gain now! It was an unusually purple-tinted sunset, as confirmed across many photographers and cameras from various manufacturers.A few shots in the middle of the sunset's transformation had a wide variety of colors, ranging from orange-yellow to magenta-pink and blue to indigo shades, in addition to the base purple that dominated many adjacent shots.

Sunset Over Bodie Main Street
Sunset Over Bodie Main Street, June 2013
There was another surprising overlooked shot that I found in an old Yosemite folder from 2008. Covering Half Dome at sunset from Glacier Point, the Yosemite chapter had already gone through layout before I found it in February, but it's a nice addition to my Yosemite portfolio for future uses!

Sunset Alpenglow on Half Dome

Runner-up Images for 2015

I named my Top 10 for people who prefer the predictability and order of a preset and finite number, but I'll show a few of the other contenders for people who prefer not to be arbitrarily constrained.

This sunset shot is from the Cambridge Hills south of Yerington in Mason Valley, Nevada. I was looking for some old cars that were supposed to be in the area, but they were apparently either moved or stolen. The road had to serve as the subject and leading line, heading to that last bit of orange sunlight on a shaft of rain int he distance.

Storm Chasing in Nevada

This dune shot was captured at 200mm to isolate the dune ridge and blowing sand from the dark background. I was hoping to see a desert tortoise or two in the area, but the burrows I found had cobwebs in their entrances.

Windy Day on the Dunes in Death Valley

At the bases of Death Valley's mountain ranges, on the edges of their alluvial fans of gravel and debris, you sometimes find small springs. In a landscape that only receives an average of 1.93" of rain per year, these are precious sources of water for nearby wildlife.  They are delicate places as well, with soft mud that will easily become severely trampled if hordes of visitors show up and love them to death.

Sunrise in Death Valley

I spend a lot of time in Bodie, and occasionally I'm there for the evening break-up of afternoon thunderstorms. In this case I saw a rainbow forming over town, and I knew that if I shifted my camera position a couple of hundred yards, I could place the rainbow over the Standard Mill. These opportunities can change quickly, so I hopped into my car, and drove east to move the rainbow.

Rainbow over Standard Mill

This rainbow and reflection shot was one of my favorite mobile phone images in 2015, and one of my first photos taken on an LG G4 smartphone that I was provided with as part of the #G4Preview program.

Wet Rainbow Reflection

This sun shot captured through geyser basin fog in Yellowstone is another of my favorite mobile images, this one captured on my 2 year old iPhone 5S.  It won an +Instagram / iPhone assignment being conducted by Outdoor Photographer Magazine.

Sun and Trees in Yellowstone Fog

I have many more images that I considered for my favorite photos and moments of 2015, and I've collected over 50 of them in a 2015 Favorites album on Flickr: https://www.flickr.com/photos/jeffreysullivan/albums/72157651316649769

Favorite Photos from Prior Years

Here are some of my collections from prior years.  It has been a great decade of adventure, I can't wait to see what I can find to show you in the next 10!

2014 Favorites album on Flickr

2014 Favorites 

2013 Favorites album on Flickr 

2013 Favorites

2012 Favorites album on Flickr 

2012 Favorites

2011 Favorites album on Flickr
2011 Top 10 blog post


2011 Favorites

2010 Favorites album on Flickr 2010 Top 10 blog post

2010 Favorites

2009 Favorites album on Flickr
2009 Top 10 blog post


2009 Favorites

2008 Favorites album on Flickr 2008 Top 10 blog post

2008 Favorites

2007 Favorites album on Flickr 2007 Top 10 blog post

2007 Favorites

2006 Favorites album on Flickr 2006 Top 10 blog post

2006 Favorites