Where to Shoot Yosemite's Horsetail Fall

A happy Valentine's Day: February 14, 2017, Yosemite National Park

Two flows in 2016!

Horsetail Fall in Yosemite Valley is backlit by the setting sun for roughly two weeks each year. As the sun falls behind the vertical face of El Capitan, it selectively lights this waterfall with its orange sunset glow.

This is an amazing spectacle to witness. Lasting only about 15 minutes before the sun goes down, the lighting gradually grows in intensity and color for the last 5 minutes or so. It is often like seeing a narrow strip of lava flowing down the face of El Capitan.

The weather and the water flows often don't cooperate.  You need enough snow above El Capitan, high enough temperatures up there for some of that snow to melt, and you need clear skies where the sun sets on the western horizon.  I was shut out by back to back blizzards in 2007, so I was fortunate to see this on two consecutive evenings from two different angles in 2008, and several times since then.

Nearly no water in 2012, it still looked great!

Sometimes there is little water flowing down the rock, but from a position to the south, the selective light on the wet spot makes it look like the waterfall is there anyway!

Other times, if there's clearly too much cloud cover or valley mist to allow light through, heading somewhere else for a more traditional landscape shot may be the ticket for that evening.  You have to first anticipate where the best light will be, before you can be in the right place to react to the light as it develops.

In 2017 I experienced a new variation: there was little direct light on the waterfall at sunrise, but there was intense sunset color on the horizon a few minutes later, and while the main flow of water didn't pick that up with any particular intensity, the surrounding wet spots on the rock reflected it beautifully.

Unfortunately most photographers seemed to have been waiting only for the direct light of the sun, so there was a pulse of traffic as they drove away, probably not seeing the sunset light that developed after the official sunset time.  Folks, that's how sunsets usually work!  The best color is minutes AFTER the theoretical (zero degree horizon) sunset time. So stick around for at least 10 minutes "after sunset", or even 15 or 20, just to be sure that you don't miss that night's color, whatever it may be.

February 28, 2008

1) Along the bank of the Merced River near the turnout just East of the Cathedral Beach picnic area (which is closed for Winter). This location is described on page 24 of my 320-page guidebook "Photographing California Vol. 2 - South".

This angle provides the composition that compresses the complete length of Horsetail Fall against the rock of El Capitan.  You can zoom in for a composition with no sky, or use a wider focal length to include the profile of El Capitan.  This seems to be the most crowded location in recent years, as photographers pack together to shoot through an opening in the trees.

This is arguably a more complete view of Horsetail Fall, showing a longer stretch of its descent, making it look longer and skinnier.  The view of more of the vertical drop makes the water flow look skinnier, and seeing it all from a longer distance makes it look more abstract and lava-like.

2) In the vicinity of the Cathedral picnic area on Northside Road in the valley, 1/2 mile East of the El Capitan bridge. That North road is closed for maintenance, so it's a 1 mile walk each way from where the El Captan bridge road hits Southside Road. This location is also described in "Photographing California Vol. 2 - South".

This is more of a side view than the position on the south side of the Merced River, with the upper reaches of the waterfall against the sky.  By showing less of the vertical drop, the flow of the water looks wider, and you see more of the rock face relief in detail.

The more northern location is probably the more common and iconic shot you see, although I don't mean to imply that's better.  It's just another nice variation on a rare and amazing solar alignment event.

No Horsetail, 2007.  So what?

The conditions required to make Horsetail Fall are unpredictable, so it's important not to rule out all trips that look iffy.  You're probably more likely to miss it than catch it, but it's important to remember that Yosemite is beautiful this time of year, and generally more so if there are passing storms!  So missing Horsetail Fall may be the best possible outcome for your trip.  You may catch far better photos, of far more unique conditions.

Plan on some dates, prepare yourself for the trip (carry chains), enjoy a winter trip to Yosemite, and consider Horsetail Fall to be possible icing on the cake!  And expect to enjoy return trips to Yosemite in the winter if you don't get the Horsetail Fall photo that you want on the first one.  Seriously, even when I lived in Sacramento, only 3 hours away, it was nearly impossible to predict when conditions would be great.

Life isn't a destination, it's the journey that occurs as you pursue your goals.  Enjoy and make the most out of every moment.

If you want a little help maximizing your odds of success and anticipating the light to be in the right place while you are in the park, I update my annual list of Yosemite photography workshops here.

Upper Yosemite Falls reflection on a moonlit night, February 15, 2017

Yosemite National Park Photo Workshops

I'm working on workshop dates for Yosemite for 2014.  I'll post updates on my new blog when they become available: http://www.jeffsullivanphotography.com/blog/yosemite-national-park-photography-workshops/

Yosemite National Park, a set on Flickr.

Rim Fire Closes Areas of Yosemite National Park

At 10:41 am this morning Yosemite National Park distributed a map of closed areas within the park, generally north of CA-120 and east of Glen Aulin, as shown on this map:

Details of the Yosemite National Park closures may be found at:
http://www.nps.gov/yose/planyourvisit/rimfire.htm

On Twitter Cal Fire sent out a tweet on current conditions this morning at 7:35 am:

#RimFire [update] near #Yosemite (Tuolumne County) is now 149,780 acres & 15% contained. http://inciweb.org/incident/3660/ 

Cal Fire's page for incident updates is found at:
http://inciweb.org/incident/3660/

The latest Cal Fire map color-coded to show daily progress of the fire is available at:
http://inciweb.nwcg.gov/photos/CASTF/2013-08-17-1950-Rim/picts/2013_08_26-14.11.21.961-CDT.jpeg

Moon Rise Over Half Dome in Yosemite

Moon Rise over Hall Dome, Yosemite National Park

I've been pursuing moon rises behind Half Dome for many years. The weather doesn't always cooperate, but I've caught it from several different vantage points now, and I have a few more angles to catch it from on return trips.

This time there had been a couple of light snowfalls already in the Fall, so there was a nice dusting of snow and the beginnings of ice on the lakes as I crossed Tioga Pass.  Here's Ellery Lake with Ice and patches of open water.

The light wasn't great as I passed tuolumne Meadows, but upon reaching Tenaya Lake, I found a mirror surface reflecting trees on the far side.  You could get great pictures if you moved away from the families throwing rocks into the lake, and timed your shots to avoid the worst of the ripples they created.

Next I pulled into the Olmstead Point parking lot.  I was shocked at the quantity of people crowding the area so late in October.  I didn't stop.

Then I checked a few stands of dogwood trees tucked into groves of redwood trees, and found the dogwoods brightly colored and beautifully back-lit.

Proceeding for a lap around Yosemite Valley, Upper Yosemite Fall was completely dry, missing even the modest wetness you'll often see on the rock.  Most of the deciduous trees seemed a couple of weeks behind schedule turning color, like the aspen had been in the Eastern Sierra this season.  The oaks were lightening somewhat, but not far enough along to warrant a stop by Cook's Meadow.  I did spot some trees nicely back-lit against Cathedral Rock, so I pulled over.

A large van full of photo workshop customers passed by; I figured I'd catch up with them in a few minutes, either in the turnout opposite Bridalveil Fall at Valley View, or a short while later catching the moon rise. 

Unfortunately in this dry year even spring-fed Bridalveil Fall is nearly non-existent, breaking up into a thin mist partway to the ground.  Noticing the angle of the sun, I stopped to see whether there was enough water in Bridalveil to create a rainbow in its mist.  Sure enough, the rainbow was there, and the low water of the Merced River made a perfect reflecting pool to offer creative compositions including colorful Fall foliage.  Odd that the photo workshop passed it up (perhaps they caught it the day before).

By then it was time to go set up for moon rise.  Curiously, the photography workshop was still nowhere to be found.  Had they really left the park only minutes before one of the events of the year in Yosemite? 

Last year the only other person who had anticipated the moon rise in the position I had chosen was a guy from Seattle shooting on film.  Of course once the moon rose, two or three dozen people joined us!  This year, from another location, I first met someone from Cincinnati.  As it turned out, someone had gotten the word out online, so roughly 2 dozen people more people eventually showed up (and there were apparently a few more at the vantage point I had used the prior year).  

A started one camera at 105mm focal length to capture a time-lapse video of the entire moon rise, and I used a second camera to capture the initial emergence at 400mm then the rest of the event at 200mm.  It'll take me a while to get each sequence processed, but so far it's looking good!  There are even a couple of climbers you can see move slightly in the video, on El Capitan directly opposite the moon in this image.  

I've been pretty busy this year wrapping up my guide book to California landscape photography, but I'll offer Yosemite landscape photography workshops as time permits:
http://www.jeffsullivanphotography.com/blog/yosemite-national-park-photography-workshops/

Update August 20, 2014: Thanks to the +Royal Observatory Greenwich  for including my image in their video about the Astronomy Photographer of the Year 2104 competition! 

I'm always honored to have my work recognized by the Royal Observatory in London, home of Greenwich Mean Time (GMT) and the Prime Meridian... the place that every longitude, every GPS coordinate on the planet, is defined relative to!  See and share the video on YouTube.

Olmstead Point Dawn Full Moon Set

Olmstead Point Dawn Full Moon Set, originally uploaded by Jeff Sullivan.

In late July I positioned myself to catch the full moon rising at Mono Lake. It had rained during the day, but as I sat on the porch of the lcoal coffee shop waiting to see how the weather woudl turn out, it was clearing up nicely for sunset, and hopefully the moonrise. One of the nice things about photography is that the people really into it are a pretty relaxed and sociable bunch. I ran into filmmaker Tom Lowe at a coffee shop in Lee Vining, and he was heading out to Mono Lake as well. A young woman with an accent had shared the table and power for her laptop, and not knowing the area, when she heard we were going to a nice sunset location, she decided to follow along in her car.

We drove south out of town, and as I turned left onto a shortcut, Tom missed the turn and kept going towards the standard highway 395 to highway 120 route towards South Tufa. The woman, Rotem Retter from Israel who had come to the U.S. after serving in the Israeli Defense Force, made the turn. By now a large rainbow was forming in the remaining showers over the Mono Basin, so I stopped at a turnout near another photographer's car. This turned out to be Ron Wolf. We had seen each other's work on Flickr, but had never met.

As I continued on, I decided that the clouds would obscure the moonrise, but they were well posisioned for shooting sunset at South Tufa. I called Tom with the update, but by now he was already set up elsewhere, and decided to stay put.

The clouds were fine for sunset, but as i had suspected, they were too thick to allow the rising moon to show through. This is why it's critical to try to shoot as many sunset full moon rises as possible in a given year... there are only a dozen or so to start with, and weather will obscure many of those!

No problem... I could still catch the moon set at dawn. After having the June 26 partially eclipsed moon set at Olmstead Point behind a nearby ridge before it woud have set on the horizon, I decided to shoot this moonset there as well, so I could find a better shooting position that would enable the sunrise to proceed further as the full moon set.

It turned out even better than I could have planned. The sun was sending light rays over the Eastern horizon, while the moon acted as a gaint reflector, sending more of the sun's rays radiating back from the Western horizon.

I had high expectations for this sunrise, or at least high hopes. After all, I had looked up the moonset and sunrise times a week or two in advance, checked sun and moon angles for various locations in The Photographer's Ephemeris to select my shooting location, gotten up at 3:55 over by Mono Lake to make it here in time, and to place the foreground hill out of the way for the moonset I decided to hike up the granite slope across the road instead of down to Olmstead Point. To do this landscape photography thing right, it's a far cry from just arrive, point and shoot!

"A lot of people think that when you have grand scenery, such as you have in Yosemite, that photography must be easy."
- Galen Rowell

I continued to shoot as the clouds and light changed, and there were some majestic juniper trees on the hill which added nice foreground subjects. But I was done by 7am or so, with no plans for the day.

As with the prior sunset Rotem had decided to check out my shooting location, and having hiked Mt Dana the day before, she was eyeing Mt. Hoffman today. I had no plans for the "boring" mid-day light, and the trailhead was only a couple of miles away, so this time I tagged along.

After we moved food and scented items fomr our cars to bear boxes, we got an early enough start to reach May Lake while I could still catch a reflection with minimal wind.

The entire hike is only a 6 mile round trip, but the trailhead is at 8710 feet and you end up at approximately 10,850, so it's a healthy climb. I'm never particularly fast lugging 10-12 pounds of camera gear plus 3 liters (another 6 pounds) of water, but it's an enjoyable hike with a nice view.

Unfortunately there was a fire somewhere which cast a haze in the air. With the distinct possiblility of afternoon thunderstorms, after some rest and chatting with other hikers on top, while protecting day packs from persistent marmots wanting to steal food, it was time to make a hasty descent.

Little Lakes Valley for Dawn, Tenaya Lake for Sunset

Tenaya Lake Pollen Lines, originally uploaded by Jeff Sullivan.

I'm going on so many hikes, it's getting hard for me to follow me! I know, I'll go on my blog and see where I've been... Doh!

OK, so painstakingly reconstructing my movement by photo timestamps it now comes back to me... after Minaret Lake I shot Rock Creek/Little Lakes Valley for dawn, then made my way back to Mammoth to talk to Ranger Mike about destinations. He had photos from all over on his PC, recommended a bunch of places, and issued me a permit to hike to Gardisky Lake up near Saddlebag so I could shoot back towards Conness Peak at sunrise. It didn't turn out that way, but I'm getting ahead of myself... let me start with Rock Creek.

The Mosquito Flat trailhead at the end of the Rock Creek road has a hikers' walk-in camp at the end... all you need is a wilderness permit to stay there. That puts you right there to do a short hike before dawn to get up the lakes as the alpen glow starts to light up the peaks. It's a lot easier to pull this off in the Fall, when the sun comes up later! Anyway, you can start a few hundred yards up the trail (and some bushwhacking to the south) at Long Lake, but I usually go a mile or so up to the first lake on the trail There's an even better lake another mile up, but who wants to get up that early? Either way plan to arrive roughly 30 minutes before the published sunrise time, as the sun will stike these tall peaks 10-15 minutes before sunrise. For the more subtle alpenglow before the direct sunlight, allow yourself that additional 15 minutes. Make sure you also make allownaces for your fitness level and your degree of acclimation to the elevation around 9000 feet (another reason to stay overnight nearby... it makes the hiking easier). One really nice feature about Little Lakes Valley is that the mos tinteresting mountains to shoto are far enough to the south that you're not shooting directly away from the sun, and your shadow doesn't get in your shots after the sun rises. You can shoot your way up the valley for hours.

To make a long story short, one brunch, coffee / Internet stop and wilderness permit later I was off to Yosemite. The weather didn't seem interesting enough for a great show at Cathedral Lakes that night, so I headed over to Tenaya Lake.

The west end of the lake offers a variety of interesting foregrounds and a nice view of the granite ridges over the east end, so I headed there. The wind died right on schedule as the sun dropped and the light warmed. I crossed the outlet creek to shoot from the crushed granite beaches, but evan with heavy repellent the mosquitos were too persistent, so I retreated with a few nice shots already captured.