Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

Monday, September 28, 2015

Total Lunar Eclipse September 27 2015




Total Lunar Eclipse September 27, 2015: wide angle time-lapse and 640mm effective live action footage from the total lunar eclipse last night.  The partly cloudy forecast and webcam images didn't look all that promising in the Eastern Sierra yesterday afternoon, so I ditched my plans to pursue one of several compositions that I had worked out, and I stayed home to see if the moon would make any appearance at all.

I watched for about an hour after it was supposed to rise at 6:44, but there was no sign of it, so I left my camera shooting a sequence of images for a time-lapse video, and I went back inside.  A few minutes later, the fully eclipsed moon was visible through a break in the clouds, from 7:56 - 8:06.  I came back out a while later, but the moon was behind the clouds, so I didn't know that it had made a brief appearance until I reviewed the images later!


As the moon was more than halfway through the partial, umbral phase coming out of total eclipse, it emerged from the clouds and starting lighting up the clouds and landscape with increasingly bright light.

As the face of the moon returned to fully lit in the penumbral phase of the eclipse, there was a nice halo of color around the moon, so I set up a second camera to capture that.  I used my Canon EOS 70D with the EF 70-200mm f/4 IS L Series lens and a 2X teleconverter, for an effective focal length of 640mm.  The clouds were moving pretty quickly, so I also captures dome live video of the clouds moving across the face of the moon.  I had the camera on a sky-tracking mount, so the moon remains essentially still in the frame.

I didn't shoot where I expected or capture what I anticipated, but by being there to catch changes in the weather, I captured some interesting results.



Saturday, May 02, 2015

Time-lapse of the Milky Way Rising in the Mojave Desert

In late April I was out camping in the desert, and I set an alarm to get up in the early morning hours to catch the Milky Way rise.  Around 1 am the first bits of it were just rising over the eastern horizon, so I set up two cameras, to catch both static and panning views of it.

The camera on a stationary tripod captured images that I could also process to create star trails images:

See the link to my star trails tutorial below
 Here's the time-lapse video captured on a second camera, using a sky-tracking, panning mount:


Digital Rights Management by Nimia

 Here's the time-lapse video captured on the stationary camera:


Digital Rights Management by Nimia

I set another alarm to wake up near sunrise to stop the time-lapses, and with one of the cameras I captured multiple shots to stitch together a panorama of the Milky Way, now forming a high arc in the sky.

Milky Way Over Joshua Trees, Panorama
It all turned out really well.  I should sleep at work more often!

Here's some introductory information on night photography techniques, in case you want to try yourself:
How to Capture Milky Way Images

Create Star Trails Images


I can show you more advanced techniques as well as these in more detail during night photography workshops in the "ghost town" of Bodie. We have five workshops scheduled in 2015, with dates available from May through October.  Several of the workshops also offer special escorted access into building interiors, which are not generally open to the public:
http://www.jeffsullivanphotography.com/blog/bodie-night-photography-workshops/



P.S. - Thanks in advance for lies, shares, +1s, comments, or any other honors that you choose to bestow on my blog posts!  With my book done, I'm trying to get a lot more active on updates to my blog, so you should see a lot more activity and updates here in the coming weeks and months.  I also have a "new"(er) blog, which I use to consolidate social media posts to: www.JeffSullivanPhotography.com.

Wednesday, December 17, 2014

Geminid Meteor Shower 2014 in HD



Time-lapse video footage from the Geminid meteor shower on the nights of December 13 and 14, 2014. Shot at Topaz Lake in the Eastern Sierra region, on the California-Nevada border.

Here's a description of the Geminid meteor shower from NASA:

"Geminids are pieces of debris from an object called 3200 Phaethon. Long thought to be an asteroid, Phaethon is now classified as an extinct comet. Basically it is the rocky skeleton of a comet that lost its ice after too many close encounters with the sun. Earth runs into a stream of debris from 3200 Phaethon every year in mid-December, causing meteors to fly from the constellation Gemini. When the Geminids first appeared in the early 19th century, shortly before the U.S. Civil War, the shower was weak and attracted little attention. There was no hint that it would ever become a major display."

Composite photos showing multiple 2014 Geminid meteors
I'll be teaching photographers how to capture meteor showers in a photography workshop during the Geminid meteor shower in Death Valley in December 2015: www.JeffSullivanPhotography.com


#Geminids #meteorshower #science #breakingnews #astronomy +Death Valley Workshops 

Wednesday, October 29, 2014

CBS Features Bodie and America's Ghost Towns

America's Best Unrestored Ghost Town, Bodie
CBS aired an excellent segment on America's ghost towns last Sunday, including Bodie, California. Here's the segment featuring Bodie from their Sunday morning show:

The haunting remnants of America's ghost towns




Living not far from the park, I have the privilege of leading many dozens of photographers through Bodie each year, for special night access and to photograph building interiors.  Here are photos from our photo workshops, and visits to our favorite local ghost town:

Star trails and the Iridium 11 communications satellite are seen over the Bodie Church
Sunset in Bodie

Moon rise and moon beams over Bodie Bluff

A dusting of snow on Bodie in the spring

Inside the Boone General Store

The Miner's Union Hall in pre-dawn light

Milky Way rising over the Standard Mill

Bodie's 1937 Chevy coupe at dusk

Highlighting Bodie's landmarks under the Milky Way

The peaceful twilight hours in Bodie

Roulette wheel in the Sam Leon Bar

Evening golden hour in Bodie as the last warm rays of the sun touch the town
You can see over 200 of my photos of Bodie in an album on +Flickr :
https://www.flickr.com/photos/jeffreysullivan/sets/72157630926160354/

We've raised roughly $25,000 for building stabilization in Bodie through our photo workshops there.  When we have dates for our interior access and night photography workshops in Bodie for 2015, we'll publish them on my Web site: http://www.jeffsullivanphotography.com/blog/bodie-night-photography-workshops/

Friday, July 04, 2014

NASA Launch This Week: Orbiting Carbon Observatory


NASA Orbiting Carbon Observatory Launch from Jeff Sullivan on Vimeo.

What happens when a time-lapse astrophotographer goes to a NASA launch?  Enjoy my latest edit of this new footage, just uploaded to +Vimeo :https://vimeo.com/99906771.  
NASA's OCO-2 Orbiting Carbon Observatory will take 1 million measurements daily at a resolution of one square mile, enabling the analysis of local, regional, national and global CO2 emissions and trends.
My new blog: www.JeffSullivanPhotography.com
#NASA #science #news #space #climatescience #NASAJPL #NASASocial #OCO2

Tuesday, February 11, 2014

Seasons of Topaz



Seasons of Topaz, my latest time-lapse video,with "Sierra Wave" lenticular clouds, pogonip ice fog, rain, snow, sunrises, sunsets... a year's worth of weather in 3 minutes: http://youtu.be/W07_Yol2Ad4


The music, used with permission, is "Odyssey" (instrumental version) by The Wyld, as heard in the McDonald's commercials during the Sochi Winter Olympics.  Drop by their Web site for links to their social media pages where you can say "Hi": 
http://thewyldmusic.com/ 



Thursday, August 15, 2013

Perseid Meteor Shower 2013

Perseid Meteor Shower August 2013:

Don't watch in this tiny window though... start it, then click "watch on YouTube" at the bottom, then the little gear icon to make it go 1080p or 720p HD, then click on the icon to make it go full screen.  Enjoy!

I have a copy on Vimeo as well in case you might like to compare the two:


Perseid Meteor Shower 2013 from Jeff Sullivan on Vimeo.

Watch this in 720P or 1080P HD resolution. Over six minutes of footage from recent nights in 2013 during the Perseid Meteor Shower. The slower, mostly horizontal lights are airplanes. The brief flashes of mostly vertical streaks are the meteors (a few slower ones are satellites). Many meteors are faint, so you'll only see most of them if you follow the instructions above and change the viewing resolution to HD and expand the video full screen.
For the soundtrack, the timelapse video of the Perseid meteor shower is set to the InFiction String Remix of David Bowie's "Let's Dance", as featured in the recent Kia commercial (used with permission).

All images © 2013 Jeff Sullivan. To license Perseid meteor shower or other time-lapse footage, please contact me. All unauthorized uses will be pursued.

Tuesday, May 28, 2013

Venus, Jupiter, Mercury Conjunction (1080p, 30fps)



The planets Jupiter, Venus and Mercury are close together in the evening sky this week, so every night I've been trying to capture them together on the horizon in the twilight hours before they set. The first night the clouds were too thick. The second night I was shooting sunset in high winds at Mono Lake with the Sierra Nevada as a high western horizon, so I caught a few pictures of the planets, but they set too quickly to capture a time-lapse video. The third night was just right, relatively clear to the west, I was in a high shooting position with an apparent horizon lower than my position (less than 0 degrees elevation), and fortunately that was Sunday May 16, the night when they'd be closest together, forming a tight triangle.

There was still wind to deal with so I changed position a few times to minimize it. I could only use one camera because I had loaned my daughter one of my quick release plates the day before and it was still on her camera back home. There wasn't a lot of light and I was shooting with a 2X teleconverter on my 70-200mm lens at close to 310mm, so my aperture was limited to f/8, forcing me to bump up the ISO to minimize shutter speed in that wind. Fortunately I worked out all the trade-offs in time to capture about four hundred frames, enough to create this time-lapse video. 


Here's how my four days of effort to capture this event turned out:


Pursuing the Venus, Jupiter, Mercury conjunction on May 24, 2013.
May 24 from Lake Tahoe


Pursuing the Venus, Jupiter, Mercury conjunction on May 26, 2013. Too high of a horizon at Mono Lake!
May 25 from Mono Lake

Pursuing the Venus, Jupiter, Mercury conjunction on May 26, 2013, just right with a low horizon.
May 26 from Monitor Pass













Pursuing the Venus, Jupiter, Mercury conjunction on May 27, 2013. Too cloudy over Lake Tahoe!
May 27 from Lake Tahoe

Wednesday, August 15, 2012

Did You Catch the Perseid Meteor Shower Last Weekend?

I assembled this timelapse footage form the 2009 event and posted it on YouTube, with links from Facebook and Google+, so people could plan to go catch it.  I was shocked to see 9 or 10 days later that it had over 85,000 views!



Later this year I'll be leading a workshop to help people capture an even better event, the Geminid meteor shower, from Death Valley National Park.  Now you can produce results of astronomical proportions!  We'll try to follow a mix of day and night shooting, visiting some of the unique locations I've found while writing a guide book to landscape photography locations in Southern California.  I'm also working on securing a space for classroom sessions, so we can include critical post-processing training.  As always, contact me for further details!

Tuesday, December 13, 2011

The Geminid Meteor Shower Peaks Tonight!

The good news is that the Geminid meteor shower peaks on the nights of December 13 and 14, so tonight one of the strongest meteor showers of the year. The bad news is that the moon rising around 8 pm tonight and 9 pm tomorrow night will interfere with the visibility of the meteors. How much will it interfere? Actually I have a video of Geminid meteor shower from past year with and without the moon in the sky which can show you the difference. Make sure you're watching this in HD, and it's best watched full scree as well: You'd definitely see more meteors without the moon, so try watching before the moon rises, but if you're up in the key viewing hours between 11am and dawn, look up in the eastward sky and you might get lucky and see a decent fireball!

Saturday, August 13, 2011

How to Create a Timelapse Video of a Meteor Shower

Perseid Meteor Shower, August 2013

The Perseid Meteor Shower runs from July 17 - August 24, with peak night occurring around August 12-14. When shooting night landscapes and trying to catch meteor showers, I like taking long exposures one after another, so you catch anything which flies through your camera's field of view. If you shoot continuously for a while and catch a couple of hundred exposures or more, you can even assemble those shots into a time-lapse video.

Lets do a little math to figure out how your still shots will transfer to video. When deciding how long to shoot, bear in mind that this is a time-lapse video, so in playback as video everything is dramatically sped up. Each frame is a 5 to 30 second shot, but video is 24 or 30 frames per second. To make the meteors last more than 1/30th of a second, you may want them to be present for two frames of video, and assemble your video at a relatively slow frame rate of only 12 shots per second, so in video formats that play at 24 to 30 frames per second, the meteors show up for at least two frames. Fortunately our eyes and minds are quick enough for us to perceive the meteors with some persistence even though they show up for only 1/12th of a second.



On a dark night your exposures may be 30 seconds or more, so at 24 frames per second each hour of shooting will give you less than 5 seconds of video. With the nearly full moon last night, there was enough light that I was able to reduce my exposure time to 5 seconds. I set an external timer (intervalometer) to take the next shot one second later, so I took one very 6 seconds, or 10 shots per minute. So if I'm using a slow frame rate of 12 frames per second to make the meteors more persistent in the video, I'll end up with almost one second of video per minute of shooting. Adjust your exposures per minute and video frames per second math to figure out how fast you want your shooting sequence to play back.

If you'd like to explore time-lapse photography yourself, download the free VirtualDub software which can convert a sequence of JPEG files into video, and check out the forum on www.Timescapes.org for discussions on techniques. You'll need a tripod of course, and your sequence of still images will turn out best if you use a remote switch that has an intervalometer (timer) function.

Update March 2016: One more thing, meteors are more common after midnight, so I usually arrive on site around 11 pm to give myself an hour to set up before I have to start shooting.  Basically where you are on earth rotates around to the front of the Earth's path through space at midnight, so the sky above you collides with more comet dust from then until astronomical twilight starts before dawn, as this article explains.

Monday, August 01, 2011

Create a Timelapse Video on Your Digital Camera

Lunar Moonbows in Upper Yosemite Falls from Jeff Sullivan on Vimeo.

Timelapse videos are easy to create on your DSLR. There are many software packages which will facilitate the process, some better than others, but I'll describe the simple and relatively low cost workflow that I currently use. You'll need software on your PC which can convert a sequence of JPEG files to timelapse video. I use VirtualDub (free download) to create an AVI format video, then I use MPEG Streamclip (free download) to convert the huge .AVI file to a much smaller (albeit lower quality) MPEG-4 for online use. Here's the process from shooting to finished video:

Clean your camera sensor. It is hard enough to remove dust from one image... picture having to do that 300 times. Even copying dust removal from one image to the others, the data changes over time (from shot to shot), so it really won't work well across the whole sequence. It's far, far better to remove the dust up front. Clean your camera sensor!.

Put your camera on a sturdy tripod. Install a fully charged battery and a blank, freshly-formatted memory card which can handle several hundred images.

Compose your image expecting to lose some of the vertical information if you'll convert the sequence to HD video with a narrow HD shape (16:9 aspect ratio).

Manually focus your camera and switch off automatic focus. If you forget to do this, your camera will insert delays in the sequence as it hunts for focus, making the playback jerky at best. Worst case, your camera may lose focus and you'll end up with a whole lot of blurry images.

Make some test shots to determine best exposure. If practical, set exposure manually so it won't change from shot to shot and cause flashing (flicker) as different exposures come up during playback. If the light will change a lot during shooting (sunrise and sunset), you can use automatic exposure, but then the exposure during the video is artificially stagnant, and you'll need to to "deflicker" the timelapse to reduce flashing from frame to frame when producing the video. You will learn some very interesting and important things about your DLSR in this process! When your DSLR changes the exposure up or down 1/3 stop from shot to shot, simply "fixing" the exposure during editing will not result in similar-looking images from shot to shot! Even adjacent images taken a fraction of a second apart may have different white balance, and a slight exposure change also affects contrast, color saturation, and so on. Once you've gone through the process a few times your whole approach will change and you'll try to maximize quality and consistency in-camera, not during editing.

Shoot several hundred images in a row. You can make the timing from frame to frame consistent using an Intervalometer Trigger (external timer), or you can simply hit the shutter release over and over (perhaps use the display of the prior image on the camera rear LCD as your cue to trigger the next shot and keep them at a fairly consistent rate). Remember that your finished product will be 30 frames per second, so you'll need 300 images for each 10 seconds of video. I recommend shooting in RAW format so you can adjust the exposures during editing, especially if you shoot at sunrise or sunset where the light will change over the course of your timelapse.

Read your camera's files into your editing software and crop them to the 16:9 aspect ratio of HD video. Remember that you have far more resolution in your DSLR than you need for HD video, so you can perform a "digital zoom" and focus on only a portion of your original camera image. Software strong in batch editing such as Adobe Lightroom (free trial available) will enable you to apply a consistent crop, exposure adjustments and even spot removal across the entire sequence of images. You'll also want to impose one consistent white balance across the entire sequence. Some video processing software (such as Adobe Premiere I believe) will even let you specify a starting crop and a different finishing crop, then calculate a zoom and pan across your sequence of images.

Save your files in sRGB JPEG format at 1280 x 720 resolution for video to be used on sites like YouTube or Flickr that only allow smaller 720p HD format video, or save them at 1920 x 1080 resolution for 1080p video to be uploaded to sites such as Vimeo. If you'll use the VirtualDub software, it will want you to point to the first image in the sequence then look for a sequential numbered file, so if you used automatic exposure bracketing while shooting you may be editing and saving every third file, but you can rename them sequentially so VirtualDub can order them properly.

Read the sequence into VirtualDub. It's important to notice when trying to import them that in the dialog box where you're looking for the first file to select, the file format has a drop-down menu which enables you to specify that it should look for an image sequence in JPG format.

Add filters as desired, in the order that you want them to apply. For example, Virtualdub can crop and resize larger JPEGs, perform sharpening at the new lower resolution, and you can search for and install a third party "MSU deflicker" filter to improve image consistency from frame to frame across the whole video. Check your frame rate and for maximum quality (but shorter result) change the default 10 frames per second to 30.

Save the video in AVI format. That's a very high quality format, so it may save a file of a gigabyte or more! Enjoy this high quality file on your computer (or read it into video editing software to burn it to Blue-Ray DVD).

To create smaller files for online sharing, read your .AVI file into MPEG Streamclip. Save to MPEG-4, playing with quality vs. file size tradeoffs until the results are what you want.

Upload your results to your favorite video sharing site. That's it! It takes a little more planning to pull off well and a little more time to produce the finished result, but you can produce some amazing videos.

For more information on shooting timelapse sequences, I recommend browsing the discussion forums over on www.Timescapes.org.

Note: although Adobe Lightroom has a retail list price of $300 to buy, Adobe offers a free trial.


This is an updated re-post of my November 2010 blog post since the link to the original timelapse video on Flickr appears to have broken. Instead I've posted links to videos on Vimeo:

Pfeiffer Beach Winter Sunset from Jeff Sullivan on Vimeo.